Dear Aline Brosh McKenna, I implore you, please stop trying to be funny. Just because a few randoms in the audience laugh at your “jokes” does not make you a comedienne. Instead, please go back to 2006 when you wrote the screenplay for The Devil Wears Prada and made an otherwise horrible book seem magical and wonderful and makeover and new shoes in the way only a chick-flick can.
Wha’happen?
Sincerely,
Your friendly neighbourhood hobo
“Morning Glory” dir: Roger Michell
This past Tuesday, my friend J and I decided to attend cheapie movie night (yay! only semi-ridiculous prices!) at Scotiabank Theatre to see this happy little film that we hoped would motivate and inspire us to believe that hope exists out there for depressed career-girls everywhere. Instead, much like the surprise monsoon that greeted us at the exit, we left thinking What The F!?
With the premise of an upstart television producer (Rachel McAdams) accepting the challenge of reviving a struggling morning show, it was clear from the start that the SHOW was the GIRL, and their struggles were ONE AND THE SAME. Rachel McAdams played Becky Fuller well enough. I mean, we did go to York University at the same time so I will always have a niche in my heart reserved for her (although she majored in Theatre at Keele, and I was in English at Glendon, and we didn’t actually cross paths, this is beside the point). She’s cute, she’s approachable, she’s believable, she’s the Anne Hathaway of what was billed as the next career-girl feel-good. I mean, I can see what Rach (we share an Alma Mater, so there’s no need for formalities here) saw in the screenplay. But Jeff Goldblum should have known better. Maybe he missed a few too many Visa payments, and had to get cash fast. Or maybe he only read his “hard-nosed, pessimistic, newsy-type” character’s lines and cast a blind eye to the rest of the script. Who knows.
More appropriately, and probably more affordably, Patrick Wilson played Becky’s love interest Adam Bennett. You may remember Patrick from such films as nothing before this, and most likely nothing afterwards. Becky and Adam’s relationship escalates quickly at the start of the film, with no real backstory except that HE’S OUTTA HER LEAGUE yet falls for her quirky, clutzy ways. But he’s rich! He rows crew! He sits in the local diner eating fries and laughing with his rich friends while Becky gazes longingly (and somewhat creepily) at their reflections in a mirror. Yet, somehow, this plucky producer gets her man.
I guess we can all thank Carrie Bradshaw for enhancing the appeal of the endearing, yet fallible, leading lady.
“Hey, youuuu guuuyyys!”
But can the wardrobe director please explain to me why a workaholic TV producer, who doesn’t date or leave the office or even make much money, wears Louboutin stilettos every day? Oh and when her conservative skirt suit comes off, why there exists sexy lingerie underneath? I don’t know about you, but when I worked in TV, the producers were mainly googly-eyed, overweight, social-outcast types. The kind that most likely buys their Hanes at the Big Z.
Parallel to the growing love between Becky and Adam, there’s the anti-love (I’ve decided that is a word) of bantering co-hosts Colleen and Mike. The relationship between these Morning Glories is a little too “Something’s Gotta Give” for me. Substitute Harrison Ford for Jack Nicholson, and move the studio to a Hamptons beach-house, et voila. Either that or the real-life version of Quahog’s Tom and Diane on “Family Guy.” Oh, and since when does Diane Keaton allow that many wrinkles to show through her makeup?
I will admit, however, that if you have worked in TV you might find some parts of this film interesting. Breaking down the fourth wall, seeing some supporting actor pushing around a camera JUST LIKE YOU, or sitting up in Master Control yelling CHANGE THE FONT! UPDATE YOUR SCREEN! WHERE THE HELL IS THE CHYRON GUY!? (Probably eating donuts at the Kraft Services table.) Or the scenes where young Becky spices up the show by placing a small, old man in various hilarious situations (such as skydiving or riding a rollercoaster) that result in repeated expletives pouring from his mouth. The F-WORD on TV is always funny!
Oh, and their TV station is called IBS. J and I are sure that was intentional, although no one brings any attention to it in the film. I say what better name for a shitty station than IBS? Ha!
And am I the only one who saw an allusion to magazine editor-zombie Bonnie Fuller in Becky’s name? The Joys of Much Too Much, much? But unlike that real-life workaholic’s handbook, “Morning Glory” (and “Devil/Prada” too) makes sure to remind girls who put their careers first that they will LOSE EVERYTHING (everything being, of course, their men). Priorities, ladies!
Um… that about sums it up.
The best line of the movie: “I didn’t think anything came between you and a sausage.” HEYYY!
Toods,
x
Ps. I don’t mean to alarm you, but apparently the ban on Ginger leading men has been lifted…